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Reviews

SIFF 2025: Sanatorium Under the Sign of the Hourglass // By Design

SIFF 2025: Sanatorium Under the Sign of the Hourglass // By Design

Sanatorium Under the Sign of the Hourglass dir. Timothy & Stephen Quay Somewhere between the mesmerizing, hallucinatory dreams of Jan Švankmajer and the creaking, wooden fantasies of Jiří Barta, the Brothers Quay return to the influence of Polish writer Bruno Schulz, 38 years after their adaptation of Street of Crocodiles.

SIFF 2025: Four Mothers

SIFF 2025: Four Mothers

Seattle International Film Festival 2025's opening film is safe. By all accounts, that's what a festival opener should be. A light crowd pleaser that can play to all audiences and flood the balconies of the Paramount Theatre with uproars of laughter, to join in the community

Eephus: Eephemeral Warmth

Eephus: Eephemeral Warmth

Why do they care so much? Don't have they more important things going on? The brisk October air whistles through the falling leaves. Lush grass rolls gently like soft waves, the autumn sun hanging above the worn dugouts and a dusty diamond. Everything emanates a warm glow, softly

The Monkey: Always Banging on the Same Drum

The Monkey: Always Banging on the Same Drum

It is poetic, really, that Osgood Perkins' adaptation of the Stephen King short story, The Monkey (1980), matches the prop itself. In the short story, the wind-up toy monkey hits cymbals together. It turns out, due to Toy Story 3 (2010), a wind-up toy monkey that hit cymbals together

Broken Rage: Monsieur Hulot's Hitman

Broken Rage: Monsieur Hulot's Hitman

Takeshi Kitano's films work so well not just because he's so good at balancing levity with sincerity, but because the way he balances them is so wonderfully subversive, always managing to find new ways to escape whatever expectations you might have of him or the genre

Caught by the Tides: The Ebb and Flow of Time

Caught by the Tides: The Ebb and Flow of Time

Caught by the Tides is like nothing you’ve seen. On paper, there’s similarity, after all it is a yearning love story told over a long period of time. This kind of story, of the arc of a relationship positioned over a backdrop of social change, is hardly original.

The Brutalist: Industrial Exploitation

The Brutalist: Industrial Exploitation

Brady Corbet's film is an immense work documenting an immense work, taking on the form of its subject as a formalist monolith, a slab of grim reality that renders the weight of its expression.