
Fantasia 2025: Garo: Taiga - The Return of the King
Tokusatsu as a genre feels like the last bastion of creative cinematic irreverence, a space where the rules can constantly be reinvented, where franchises are little more than loose guidelines to make weird, wacky chaos. Few filmmakers exemplify this guerilla approach like Keita Amemiya, whose prolific career in the tokustatsu